Offer Waterman
Skip to main content
  • Menu
  • Home
  • Artists
  • Exhibitions
  • Notable Sales
  • News
  • Publications
  • About
  • Contact
Cart
0 items £
Checkout

Item added to cart

View cart & checkout
Continue shopping
Menu
  • Open a larger version of the following image in a popup: Cedric Morris, Yalta, 1945

    Cedric Morris 1889-1982

    Yalta, 1945
    oil on canvas
    31 x 42 inches / 81.1 x 109 cm
    inscribed lower right 'Cedric Morris 45'
    Cedric Morris and Arthur Lett-Haines opened the East Anglian School of Painting in Dedham, Essex in 1937, relocating three years later to a 16th century farmhouse named Benton End in...
    Read more

    Cedric Morris and Arthur Lett-Haines opened the East Anglian School of Painting in Dedham, Essex in 1937, relocating three years later to a 16th century farmhouse named Benton End in Suffolk. Their art school remained open throughout the Second World War, its rural setting and communal living providing a place of sanctuary for young artists. Morris was a notable plantsman and the subjects of this still life would have been grown in the gardens and later cooked up for the students. The Mediterranean peppers were unusual in England at this time, having been grown from seeds Morris brought back from a trip to Spain. Here they add an exotic presence to the otherwise native cast of characters played by the carrots, leeks and rhubarb.


    The painting’s title refers to the Yalta Conference of February 1945 where Churchill, Roosevelt and Stalin met to agree the partition of Europe. It's one of two allegorical pictures Morris made at the start and end of the war; the earlier picture Crisis, 1939, is a portentous image of birds gathered in a tree as if convened for a meeting.


    Morris’s rich, flat colour and bold compositional design look to the French Post-Impressionists and to early Renaissance painters such as Giotto. His paintings are intensely observed with a pleasing sense of completeness. His idiosyncratic technique of starting a painting at the top left hand corner and working across the canvas until he reached the bottom right, requiring a precise vision of the finished painting from the start. 


    This painting is one of Offer Waterman’s earliest acquisitions and was sold to the Ferens Art Gallery, Hull in 1998.

    Close full details

    Provenance

    R.A. Bevan, UK
    Offer Waterman, London
    Ferens Art Gallery, Hull

    Exhibitions

    Welsh Arts Council, National Museum of Wales, Cardiff, Cedric Morris Retrospective, 16 June - 29 July 1968, cat no.68
    Tate Gallery, London, Cedric Morris, 28 March - 13 May 1984, cat no.84

info@waterman.co.uk

+44 (0)20 7042 3233

Join our mailing list

Join the mailing list
Instagram, opens in a new tab.
View on Google Maps
Privacy Policy
Modern Slavery Statement
Manage cookies
Copyright © 2025 Offer Waterman
Site by Artlogic

This website uses cookies
This site uses cookies to help make it more useful to you. Please contact us to find out more about our Cookie Policy.

Manage cookies
Accept

Cookie preferences

Check the boxes for the cookie categories you allow our site to use

Cookie options
Required for the website to function and cannot be disabled.
Improve your experience on the website by storing choices you make about how it should function.
Allow us to collect anonymous usage data in order to improve the experience on our website.
Allow us to identify our visitors so that we can offer personalised, targeted marketing.
Save preferences
Close

Join our mailing list

Interests *

Signup

* denotes required fields

We will process the personal data you have supplied to communicate with you in accordance with our Privacy Policy. You can unsubscribe or change your preferences at any time by clicking the link in our emails.